Q&A With Swedish Designers Edie Van Breems and Rhonda Eleish
Q: Clearly, you are scholars on Scandinavian style. For you, what is the essence of it?
A: Recognition of the importance of nature and the impact it has on interiors and overall lifestyles. Light, colors, and the functionality of daily living also play a huge role. In Sweden there is a wordbruskonst, which loosely translates to “useful art.” This respect for economy and intimacy with nature is an integral part of Scandinavia’s design psyche.
Q: Scandinavian antiques are usually made of humble materials, but painted to look like marbles, gilt, and fine woods. How do you make them work in modern spaces?
A: Antique pieces, by virtue of their patina and imperfections, add a depth and soulfulness to rooms that could otherwise be one-note and cold. A rough-hewn, rustic, painted farm table, for example, is going to look amazing with contemporary metal chairs or formal, tailored, upholstered dining chairs by sheer virtue of the contrast. An 18th-century Gustavian chandelier in a barn room or a rustic, painted farm chair in a severe, all-glass or marble contemporary bathroom becomes almost sculptural.
Read more at deringhall.com
Colleen Martin, Founder of Swede Collection Tells Us Her Journey Of How She Began Reproducing Gustavian Furniture
Gustavian Spindle-Back Dining Chair, SC0019
Swedish design in American interiors is at an all-time high. Chosen for its qualities not as a fad or trend. White and light interiors are loved by so many. Today I am talking to Colleen Martin, Founder of Swede Collection, in the hand-crafted segment of the furniture industry, who is living her life passion reproducing Swedish furniture, particularly from the Gustavian and Rococo periods. Colleen was making console tables when the need for new dining chairs for her home arose. When she couldn’t purchase what she wanted nor find anyone to make them for her, necessity being the mother of invention, she decided to make them for her line. Swede Collection is shown at High Point market in April and October. The line can be seen at www.swedefurniture.com.
Q: How did you get smitten and bitten by Swedish style?
Gustavian is my favorite style as it makes my heart sing. To me it is eloquent, romantic and refined with a simplistic beauty. I do like a few Rococo pieces as well. What I love is that Swedish pieces have never gone out of style 200 years and counting. They are lasting, enduring and inheritable due to their design. Because they are not overly embellished, you don’t get tired of the look.
I first decorated my homes in French antiques due to access as that was what was available in antique stores where I lived and as far as I could travel to antique shows. Keep in mind this was pre-Internet years so purchasing access was limited to as far as you could travel. Even though I lived in larger cities, Swedish antiques or reproductions were not available. I loved the straight legs of Louis XVI. I have always been a huge shelter magazine reader so that is where I first saw Swedish pieces and then realized Swedish was where my true love was which was similar to French Louis XVI. When the Internet made access easier, my passion for Swedish design intensified. One could see and purchase Swedish pieces in the US and Sweden easily.
Q: Why do you think people fall in love with the Swedish look?
The colors of white, pale blue/grey and pale aqua are very soothing to the soul. I find people who love Swedish style are deeply devoted to it. Perhaps it is the peaceful feeling people experience in light toned rooms where the furniture is not stark but not overdone either. Swedish pieces have great balance and detail. With the painted frames people get a departure from the brown tones of wood. Today, décor is all about the mix. What is so fabulous about Swedish design is that it fits smoothly in any décor and very surprisingly with contemporary.

Q: Why did you decide to reproduce Swedish pieces?
My mission was to make excellent quality hand-crafted and hand-carved Swedish furniture more accessible for everyone to enjoy in their homes. I traveled to Sweden and purchased antiques which I reproduce both in Gustavian and Rococo style. This is my passion. I wanted to bring back the hand-crafted pieces originally made in the workrooms in Stockholm by the masters. Swede produces unique pieces for interior designers but also has some pieces available to the public in the retail section. We are continuing to add to the website retail section smaller pieces that can be shipped via ground. Access to Swedish design is an important part of our mission.
Some of the master furniture makers that I admire are:
- Erik Ohrmark 1747-1813 who made chairs for Haga castle for Gustav III.
- Carl Fredrik Flodin 1754-1795
- Olof Roslin 1753
- Ephraim Stahl 1767-1820
- Johan Erik Hoglander 1780
- Petter Thunberg
- Johan Hammarstorm 1780
- Erik Holm 1774-1814
Although you read that Gustavian style furniture is credited to king Gustav living at Versailles, loving the French style but having the details relaxed for Swedish pieces in his homeland, I differ from that viewpoint by giving credit not to the king who was not a furniture designer, but credit to the master craftsmen and their apprentices working in their shops all over Sweden. The king may have commissioned their work for the royal properties but I believe the design was the masters’ who presented it to the king for his approval on the commission. I really don’t believe King Gustav came up with all these fabulous designs by himself. Pehr Ljung was a known master carver at the time who was called upon for difficult carvings. There were furniture “architects” and architects who did both buildings and the furniture within. Stockholm was a furniture center with many famous workrooms but these fabulous original designs were not exclusively created in Stockholm. Some masters specialized in making mirrors or clocks. I love researching these makers and am searching for information on women designers.


Q: In your decision to reproduce Swedish antiques, do you make exact copies?
I like to honor the original creator that inspires me but I do change the scale and some details so it is not an exact copy. People were much smaller in body size at that time and particularly their chairs are too small for today’s people to sit in comfortably especially larger men. I didn’t want my husband or a buyer to “perch” on the chair, I wanted him to comfortably sit in it. Comfort is king in what I do. There is no point in making something nobody can sit in. I also produce in Maple, Ash and Cherry not Swedish Pine. I do believe these masters would be proud and thrilled to see that their designs are loved 200 years later by my bringing them back to life for today’s homes. For the most part, I own the original of what I reproduce. There are a few items in my line that my talented crew was able to duplicate just from a photo of the antique.
Q: Can you find these signed original works for sale today?
Yes, in Sweden, England and the United States and it makes my heart pound to find initials carved into the frame. There is also a mark on furniture made for the royal properties. When you see the carved initials IL for example, remember an “I” is a “J” so this could be made by Johan Lindgren. Pieces reproduced 100 years ago of the originals created 200 years ago are fairly available to purchase today.
Although pieces can be found, price is another issue. A chair can run from $4,000 to 7,000. And, you may not be able to sit on it. That is the other reason I decided to reproduce these chairs – to make them affordable. Hand crafted chairs should be inheritable for generations to come and should last another 200 years just like their ancestors.
I made the finishes on Swede Collection pieces blend seamlessly with antique finishes. Unless you have an expert eye, you probably couldn’t tell the difference. Making the new pieces allows me to fill in the blanks smoothly where unattainable pieces can’t be acquired.
Q: Can you give us an example of what reproductions Swede Collection makes?
I fell in love with this chair at Sabylund Manor. Bukowski’s auction house in Stockholm sold a set of these as well. I believe they look identical to ones made by Johan Hammarstrom which my talented team copied.

Above, these Rococo chairs have the original on the left and our newly copied one on the right.
Everyone on Pinterest will recognize this desk in a home in The Netherlands on the left and Swede Collection’s version on the right.
We also went to Jacquemart-Andre museum in Paris and photoed the Nattier portrait which we made into a poster in a larger size.
Here is another example. Antique sofa on right with Swede Collection sofa on left
On the left are demilune tables brought back from Sweden on my 2014 trip and on the right the new Swede Collection one
These Rococo chairs:
Q: What new pieces are you working on?
We made some hand-carved boiserie panels that buyers at market kept asking to be made into sliding doors. For April 2018 High Point market, we are introducing four sliding “barn doors”. What is different about ours is that they are elegant with hand carving on solid wood or antiqued mirror glass inserts in beautiful soft colors. You would never find them on a barn. They are great used between a master bath and bedroom instead of a traditional door. They are beautiful separators of any spaces within the home. And, we are always making more chairs and benches. We are also working on a massive tall candlestick like ones found in European cathedrals. There is a never-ending list of items to make. I am having the thrill of my lifetime making these pieces.
Visit Swedefurniture.com
Visit the 2017 Catalogue Here
Swedish Reproduction Furniture At Solgarden

House Beautiful Magazine, 2002, Picture Credit solgarden.se

If you are looking for beautiful reproduction Swedish furniture, consider Solgarden. Solgarden has two lines of furniture, one named “classic”, and the other named “vintage”.
Solgarden Classic- This line is manufactured by a Swedish furniture maker and the timber is locally grown in Sweden. This line is inspired after authentic 1700s furniture found in Sweden. Within this line, you will find furniture inspired after gustavian, rococo and baroque styles. All of their furniture is hand painted adjacent to their store.
The pricing of the furniture includes a choice of color within their “Solgård Colours”. Their signature painting is a process that involves nine different applications. While you have the option to paint the furniture, you can also have it finished to a “worn” appearance that also gives the look and feel of antique furniture.
Solgarden Vintage- Here you’ll find beautiful pieces found around Sweden which have been restored and refreshed with paint or new fabric. Often times these pieces are one of a kind, very unique and special. If you are looking for something specific, which you cannot locate yourself, contact them, and they can do their best to locate that item. Solgarden also offers furniture painting, furniture upholstery and sewing services.
About Solgarden
The operation was named Solgarden, and was originally founded out of a yellow house. After a few years, the business grew and moved to Karlavagen 58 in Stockholm. It was in 1998 when the company changed owners, and over the years the business developed a passion for concentrating their efforts in Gustavian styled furniture, and it was there that special pieces were copied and reproduced. The level of painting evolved over the years, and the quality of the furniture just got better over time.
In 2012, Anki and Mary took over, and Solgarden opened the current store on Surbrunnsgatan 28 in Stockholm. Skilled painters and artists continue to paint furniture next to their shop, and they have expanded to also offer add one-of-a-kind older refurbished furniture along side their 1700s reproduction furniture. A customer can also take advantage of their upholstery and sewing services. If you need slipcovers made, upholstery for a chair, or settee, or bedding and drapery to be made, they can do that too.
Contact Solgarden:
- Surbrunnsgatan 28, 113 48 Stockholm
- +46 (0)8-663 93 60
- info@solgarden.se
- www.solgarden.se
This stunning feature was featured in House Beautiful back in 2002. Read all about Marianne von Kantzow’s apartment located on Strandvagen:
“Welcome to my latest love affair,” said the invitation to the launching of Solgarden’s new management four years ago; Marianne von Kantzow just abandoned her post as as a construction executive” to take the helm at one of Sweden’s premier makers of reproduction Gustavian furniture and objects. The daughter of Swedish aristocrats, she was raised in an 18th-century manor in the countryside north of Stockholm where “you could find not just Gustavian furniture but details of the style everywhere—walls decorated with painted canvas in colors such as pearl gray and decorated with swags of flowers in lovely pastels.” she remembers.
At Solgarden she offers furnishings that hark back to the years between 1770 and 1790, a golden age in Sweden during which King Ciustav III had his own love affair—with the fashions of the French court. Solgarden continues to discover antique pieces to reproduce, often with the help of the distinguished decorative arts scholar Lars Sjoberg. The company makes tables and chairs finished in the traditional 18th-century gray paint, but von Kantzow has also modernized the look of her furniture by using what she calls “Solgarden white.” This color, her trademark, is a soft “broken white” la European term for off-white) antiqued in her store’s workshop with eight layers of paint and one of wax.
Von Kantzow also tinkers with tradition in her nine-room apartment on Strandvagen, Stock-
holm’s Fifth Avenue. Divorced after a long marriage that produced five now grown children,
she left a picturesque weekend house on an island in the Stockholm archipelago and now lives
in town full time with her companion, a lawyer. “He and I have the same taste.” she reports,
although her decor is so “un-Swedish” that when she hosted her daughter’s engagement patty,
the young woman’s future mother -in-law expressed fears that her son might have to live with
Marianne von Kantzow’s aesthetic. “Swedes are generally afraid of strong colors on themselves and in their homes,” says von Kantzow. “They walk into my house and stare with their mouths open, and I can see they wish they could be as daring.”
The late 19th-century apartment overlooking the National Museum and the waterfront is decorated with the same colors that von Kantzow has used in all her houses. “I love while with other colors, preferably strong pastel tones of blue and pink.” she says, “They give love and happiness to a room.” Her color palette is both pleasing and practical. “I believe in color schemes that allow a person to move furniture from room to room without having to reupholster everything.
The apartment’s 15-foot ceilings and ample natural light are dramatic and accommodating. The piece de resistance is the drawing room, where against rosy pink walls von Kantzow has arranged two conversation groups, using her collection of signed late-18th-century furniture upholstered in pink velvet and blue period documentary fabrics. Anchoring two opposite walls, she has hung paintings close to her heart, one of her great aunt, the other showing a view of her beloved archipelago.
For the formal dining room she painted a forthright Wedgwood blue on her walls, along with Solgarden white for the panels. Two pieces immediately attract attention: a 19tg century cut-glass chandelier—a copy of one made for the Austrian empress Maria Teresa—and an 13th-century Dutch cabinet housing pan: of von Kamzow’s china and silver collections. Most of the dining chairs are 18th-century originals.
Von Kantzow- shows her playful side in the kitchen and study. The former took its surprising lime and pink accent colors from the heating stove installed at the time of the buildings construction. In the latter, von Kantzow uses a shack of sorts, complete with roof and trompe l’oeil scenery, as a walk in closet.
If only von Kantzow could enjoy her urban oasis more often. Like any good enterprising Swede, she works long hours—sometimes seven-day weeks. Fortunately her soothing yet stimulating shop makes up for it. Customers, she says, “come in and say things like ‘All this whiteness makes me calm,'” and they tend to stay a while, conversing deeply with strangers.
House Beautiful Magazine, 2002, Picture Credit solgarden.se
Pink Gustavian Interior -SKONAHEM
2004 Picture Credit solgarden.se
House Beautiful Magazine, 2002, Picture Credit solgarden.se
House Beautiful Magazine, 2002, Picture Credit solgarden.se
Pink Gustavian Interior -SKONAHEM
2004 Picture Credit solgarden.se
Pink Upholstered Gustavian Chair- GODS & GARDAR
2004 Picture Credit solgarden.se
Gustavian Room – BAZAAR
2002 Picture Credit solgarden.se
Swedish Interior, Designer Marianne von Kantzow Seen In Hem & Gardar Magazine, Featured At solgarden.se
More Picture Credits :
- Baby Swedish Toys In A Nordic Styled Interior – Picture Credit solgarden.se
- Swedish Interior, Designer Marianne von Kantzow Seen In Hem & Gardar Magazine, Featured At solgarden.se


Swedish Tripod Tilt-Top Candle Stand Tables
Tea tables were originally designed to serve tea. Some were designed to tilt like the pie table which could then be folded up and stored away.
Dutch painters were known to decorate the tops of these tables with landscapes starting in the late 17th century, and this following survived well into the 19th century. In the late 18th century the English style became extremely fashionable, and this style of table became extremely popular.
- Swedish Tea Tripod Tables- trouvais.com
- Swedish Painted Tilt Top Candle Stand From Eleish Van Breems Antiques
- Swedish Tilt Top Table Seen at Puckhaber Decorative Antiques
- London-Townhouse By designer Katrin Cargill
- Swedish Tripod Table Seen At Max Rollitt
- Swedish Tilt Top Table Seen at Puckhaber Decorative Antiques
- 19th Century Swedish Tilt-top Table- Lorfords Antiques
- 19th century Swedish tilt-top table –Lorfords Antiques, 19th Century Swedish Birch Square Tilt Top Table, Debenham Antiques Ltd
- Swedish Late Gustavian Alder Root Table D Larsson Interior.com
Swedish/English Painted Birch Round Tilt-top Tripod Table $295- Eron Johnson Antiques.com



























Butterfly Chest – 









Notice the French pink upholstered bed above? It wouldn’t look the same without the gold painted details. 
What a grand daybed – seen at digitaltmuseum.se





What colors do you like the best? If you were to invest in one piece today, what would it be?


















