Antique Vintage European Textiles On Ebay

Home-Beautiful-Red-Colors

House Beautiful Magazine featured the top favorite red colors from the most famous interior designers. Here are my favorite 9 red shades of paint from their selection of 24

TOP ROW:

1.”This is a really deep coral, kind of like a cheerful Chinese red. Pinks and reds to me are synonymous with frozen drinks and relaxing.” –Richard Mishaan Pictured, Benjamin Moore‘s Chili Pepper 2004-20

2.”When I look for red, I want a pure, true red, like the color in the American flag. Ralph Lauren does absolutely the best. It’s the essence of red. It makes me think of boating or polo.” –Suzanne Kasler Pictured, Ralph Lauren Paint‘s Dressage Red TH41

3. “Red never goes out of style. It’s full of life — always fresh, always fun to wake up to. We go for reds with less blue in them and more orange because they’re happier to live with.” –William Diamond and Anthony Baratta Pictured, Ralph Lauren Paint‘s Lattice Red IB57

MIDDLE ROW:

4. “It’s a true, deep red. I like the temperature of it: it’s a bit cooler. But a little red goes a long way. It’s good in areas where you don’t spend much time or in boring areas that need a strong burst of color.” –Roderick Shade Pictured, Benjamin Moore‘s Million Dollar Red 2003-10

5. Benjamin Moore‘s Redstone was used in Eldon Wong’s cupboard.

6. “All my life I’ve pursued the perfect red. I can never get painters to mix it for me. It’s exactly as if I’d said “I want Rococo with a spot of Gothic in it and a bit of Buddhist temple” — they have no idea what I’m talking about.” –Diana Vreeland Pictured, Benjamin Moore‘s Red 2000-10

BOTTOM ROW:

7. “Red is the color of excitement, and I tend to go for corally orange reds. With red, you know you’ve arrived and you glance in the mirror and realize how great you look and breeze right in.” –Keith Irvine Pictured, Benjamin Moore‘s Salsa 2009-20

8.”I prefer the warm, vibrant reds to the historic reds, which are beautiful but sedate. This is a daring red, a real fire engine red. It has a playfulness that reminds me of a little red schoolhouse.” –Ruthie Sommers Pictured, Fine Paints of Europe‘s Dutchlac Brilliant Tulip Red W1001B-M

9.”Lately I’m on this anti-completely-neutral kick. You have to have some seasoning in your rooms. Sangria is good, universal-donor red — not too blue, not too orange, not too dark.” –Elissa Cullman Pictured, Benjamin Moore‘s Sangria 2006-20

Frijsenborg Castle

Frijsenborg Castle

Celerie Kembles Advice House-Beautiful-House Beautiful Color Celerie Kemble’s Advice

Lars Sjoeberg The Swedish Room Photo credit Ingalill Snitt Source

Lars Sjoeberg  The Swedish Room  Photo Credit Ingalill Snitt 

If you are wanting depth to your walls, here are some of the very simple faux finishes you can do yourself.

Start by selecting a color theme for your room.  In this post you will see a variety of color examples from pale blue, to lighter warm yellows and lighter greens.

Working with glaze, crackle finishes, and distressing techniques can make your furniture appear older than it is.  Likewise, layering paint on your walls will also create depth and give you that old world look we all have fallen in love with.  Here is how to do it…..

1. Ragged Finishes

Color washes are finishes that are produced with rags and paint.

Color washing is usually is achieved by a using rags which attach to a roller.

The trick to achieving this finish is to work with translucent glaze. Don’t attempt this finish with solid paint.  Using a glaze mixture of (half glaze, half paint), paint is applied over a previously painted wall.  The effect it produces a subtle textured finish.

Ralph Lauren Ragging

A Primitive Effect Using Green, seen on www.ralphlaurenhome.com

Notice the whole wall isn’t ragged, just a small portion of it. Also painted furniture in the same tones are paired in this room to join together the various looks.

Keep All Tones In The Same Color Family

  • One tip that I have learned through ragging finishes is to have the glaze mixture matched to be a few shades darker or lighter than the wall color.  If you decide to do three colors, keep the tones quite close in color.  The overall effect will be soft, and subtle.

Glaze + Paint For A Final Top Coat

  • Another trick I have learned is to go over your entire project with a layer or two of glaze mixed in with a small amount of paint.  The entire effect of the tinted glaze dulls the look slightly, and hides the roller effects. The idea behind this is to make your work appear subtle. You want to keep people guessing as to what you used to complete the finish.

2. Dry Brushing

Brushed finishes, is an effect which is achieved by dipping your brush into paint, and then removing most of the paint, on a rag.  The small amount of paint allows you to add a very soft effect over a previous layer of paint.

The effect depends much on the brush you use.  If you use a badger softening brush which tends to be very large and soft, it will produces a soft effect with paint.

I have used this effect with an old broom handle.  The bristles are thicker, and harder, and produces lines than a soft shading.

Again, mixing together paint + glaze will allow you to get the look of an additional layer with a faux effect, and you may not have to wipe off the excess paint.

  • In this picture, this effect can be achieved by using a dark brown artists oil paint. Most of the paint must be removed from your brush to achieve this look. This look can be achieved using brown artists oil paint over a muted orange base coat, slightly brushing the which highlights some of the raised details.
  • Achieve depth to your furniture by applying a lighter coat over top of a painted finish. As you can see with this look, a lighter shade of green-gray is applied over a darker shade of green. This look could be achieved by dry brushing.

3.  Sponge Finishes

Sponged faux finishes are those which a paint mixture is applied with a sea sponge.

Sponge painting is still the best and most frequently used mediums when it comes to classic faux finish painting.

Using a sponge, you can use multiple glazes layered over solid paint which gives the illusion of great depth.

Ideally, like most finishes, you want to start with a base coat, and build on it using a glaze mixture. The overall effect should be soft and serene.

Sponging can also be used on furniture to give an old world Swedish look.

In the past, I would use a base coat of brown, and then after it was dry, I would apply a base of oil paint in butter yellow and use a rag, or a textured paper towel to remove the paint.  Within just a few minutes of applying the paint, I would remove it, and the oil paint which was wiped off on the  rag I would then slightly dab here and there, on the furniture to create a very soft effect, making it seem as there was more layers to the paint finish.  After it was dry, dry brushing with the same oil paint was used to blend in the textured effects.

4. Faux Leather

Terrific faux effects can be produced using a very heavy garage bag. Again working with a wall that has been painted, apply a layer of a glaze mixture on the wall. More than half glaze to paint.

Tape the wall in rectangular sections and apply the glaze in the taped area.

Next apply a heavy weight garbage bag to the wall allowing the folds to be pressed into the wall using your arms and hands.

Take the garbage bag off, and the folds of the bag produces a beautiful faux finish.

This is a very easy way to create a classy effect on the walls.

– Great Article- How To Faux Paint

5. Stenciling

Stenciling can be very powerful if it is done right.

Create your own stencils using a stencil cutter which is a fine heated tip that cuts through the plastic blank stencils with precision. Lay a piece of glass in between the stencil and the pattern, and cut away.

17th and 18th Century stenciling has always been the very best model of inspiration.

Here are a few very well done Swedish stenciled homes:

– Book Review: Jocasta Innes Scandinavian Painted Furniture

Ted and Lillian Williams chateau in Normandy, France

-Neoclassical White Stenciled Walls-Petit Trianon

-Antique Original Red Hand Painted Trunk with Rosemaling Floral Motif

-This photo shows a great example of wall framing simply made by stencils and paint

-Here we see a stunning Rococo design stenciled, or hand painted on the walls for a distinct Swedish look.

Gustavian Antiques

Swedish winters are long, dark and dreary, so historically Swedes have always turned to lighter interiors.  Swedish style isn’t all about the gray and the white interiors they are famous for, but many homes  feature brighter, richer colors to decorate around.

There are so many shades and tones of paint, that it can be impossible to decide on one color.  Buy sample-size colors to help you make the perfect selection.   A color can look quite different at night than the day.  We recently painted the outside of our home, and the color which looked to be a creamy yellow at night, turned green in the day.  Be sure to try your selected colors on a few different walls to determine what suits which room.  You’ll thank yourself for making this extra effort before spending $$$ on the wrong shade.

Don’t judge the room until the paint is in place, and accessories and furniture are placed.  A color which may seem to bright can be toned down by wall accessories, coordinating drapes, and art work.  Consider working with the off shades of the primary colors.  Intead of purple, consider lilac, or a raspberry tint.

Consider whether you are a warm or cool person.  I once was asked this by a hairdresser, looking to choose a shade of blonde.  I never gave it much thought before, but knowing which color you lean towards can certainly make picking colors a lot easier.  Earthy reds, dusty warm plums, and rusty golds are in the warm color range.   Silver blues, mint, and lavenders are colors which are cooler.

Advice From Pros

“Design is not just what it looks like and feels like. Design is how it works” Steve Jobs

“Green pigment was expensive in the 18th century, making it a status symbol. So it would have been appropriate for the royal governor’s house. I’ve been a curator at Colonial Williamsburg for 20 years, and when my husband and I lived in a historic house, we had similar green woodwork. It worked with every fabric I wanted to use, and it’s a great mood enhancer—chlorophyll for the spirit!” —Liza Gusler

“People think that they need to use small furniture and light colors to make a small room look big, but that’s not the case at all. Dark colors and just a few pieces of large-scale furniture, with the appropriate lighting and accessories, can give a room a larger, more luxurious feel.” —Mona Hajj

“Everything else in my house is off-white and grey, and I just had to have a break from that. I was looking at my pond, which is this murky shade of acid green, and I thought, ‘I’ll do that in high gloss to make it even more watery and translucent.’ It’s strange, but I love it.” —Stephen Sills

“Luxury must be comfortable, otherwise it is not luxury.” – Coco Chanel

“While looking at one of my first New York apartments, David Hicks told me diplomatically,’Dear boy, if you’re going to paint the walls white, you need art.'” Peter Dunham

“The only time white curtain lining should be used is with white curtains- J Randall Powers

“Use the precious for everyday purposes. We’ll rummage through clients closets and find loads of precious hand-me-downs like porcelain vases and crystal that are a bit out of vogue. We’ll use them for completely ordinary purposes – a case becomes a chic pencil holder, a crystal bowl holds makeup brushes. Turn the ordinary into a special moment” Benjamin Dhong

“I learned that passion about objects and furnishings makes for fearless decorators—and that if you are comfortable in your home, everyone else will be too. That sense of authenticity is what gives a home its soul.”- Courtnay Daniels Haden

“The most elegant interiors are just slightly tatty.” – David Netto

“Playing it safe. Instead, put a large-scale printed fabric or wallpaper on the walls and even the ceiling. It’s easier, safer, and less expensive to be dramatic in a small space. You might get tired of a bold print in the main living area, but it can make a smaller, less-used room an exciting space to spend time.” —Victoria Neale